Sans Other Orta 2 is a very bold, wide, low contrast, upright, normal x-height font.
Keywords: headlines, logos, posters, gaming ui, sci-fi titles, futuristic, techno, industrial, aggressive, arcade, tech branding, sci-fi styling, impact display, signature look, angular, geometric, blocky, chiseled, stencil-like.
A sharply geometric display sans built from heavy, flat strokes and crisp chamfered corners. Many joins and terminals are cut on diagonals, producing wedge-like notches and a faceted, machined silhouette rather than smooth curves. Counters tend to be squared or simplified, with several letters using stylized breaks and inset cutouts that create a stencil-like impression. The rhythm is compact and assertive, with broad forms and minimal modulation, and the overall texture reads as dense, graphic, and high-impact at headline sizes.
Best suited to headlines, title cards, posters, and logo/wordmark work where its angular construction can read large and deliberate. It also fits gaming, esports, and sci‑fi themed interfaces or packaging, especially when strong contrast against the background is available. For body text or small UI labels, the stylized breaks and condensed interior spaces may soften legibility.
The font projects a hard-edged, sci‑fi/techno tone with an industrial, weaponized crispness. Its angular cuts and block construction evoke arcade interfaces, futuristic signage, and action-oriented branding. The overall feel is bold, synthetic, and confrontational rather than friendly or editorial.
The design intent appears focused on creating a distinctive, high-impact techno display sans with a cohesive system of diagonal cuts and squared counters. Its construction prioritizes graphic identity and immediacy, aiming to feel engineered and futuristic while remaining broadly sans in structure.
Distinctive diagonal corner shears appear repeatedly across uppercase, lowercase, and numerals, creating a consistent faceted language. Several glyphs rely on intentional gaps and internal cut-ins that add personality but can reduce clarity at small sizes or in long passages. Numerals follow the same squared, cut-corner logic and maintain a uniform, display-oriented presence.