Print Ugrah 12 is a regular weight, very narrow, high contrast, upright, very short x-height font.
Keywords: posters, book covers, headlines, invitations, packaging, whimsical, playful, quirky, storybook, hand-drawn, handmade charm, expressive display, playful voice, decorative impact, spiky terminals, calligraphic, bouncy rhythm, irregular texture, tall extenders.
A tall, slender hand-drawn print with strong stroke-contrast: many letters pair thin hairlines with heavier verticals and occasional teardrop-like thickening. Forms are mostly upright but intentionally uneven, with lively baseline wobble, narrow bowls, and frequent narrow counters. Terminals often taper to points or flicks, and several characters show brush-pen behavior where strokes swell and then snap back to a fine line. Spacing and widths vary noticeably from glyph to glyph, creating a textured, informal rhythm rather than a strictly modular feel.
This font suits short, expressive text where character is more important than neutral readability—posters, book or chapter titles, invitations, labels, and playful packaging. It works best at medium to large sizes where the thin strokes, sharp tapers, and handmade irregularities can be clearly seen.
The overall tone feels whimsical and mischievous, with a slightly dramatic, storybook flair. Its tall proportions and sharp, inky accents give it personality and momentum, while the handmade irregularities keep it approachable and playful.
The design appears intended to emulate an ink or brush-pen hand, prioritizing personality, contrast, and tall, elegant silhouettes over strict regularity. It’s built to add a distinctive, slightly theatrical voice to display typography and informal branding.
Uppercase letters tend to be tall and displayy, while lowercase is comparatively small with short x-height and prominent ascenders/descenders that add vertical sparkle. Numerals follow the same narrow, high-contrast logic and look more decorative than utilitarian, reinforcing the font’s expressive, poster-like character.