Sans Normal Voliv 20 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'Aspira' by Durotype, 'Muller' and 'Muller Next' by Fontfabric, 'Interval Next' by Mostardesign, 'PF Square Sans Condensed Pro' by Parachute, 'Belle Sans' by Park Street Studio, and 'Karlsen' and 'Karlsen Round' by TypeUnion (names referenced only for comparison).
Keywords: branding, posters, packaging, headlines, social media, friendly, informal, energetic, approachable, sporty, add warmth, create motion, soften tone, increase impact, rounded, soft terminals, compact caps, open apertures, humanist.
This typeface is a slanted sans with rounded construction and smoothly tapered joins that give strokes a soft, brush-like flow without visible contrast. Letterforms lean consistently to the right, with compact, slightly condensed capitals and more buoyant lowercase shapes. Terminals are gently rounded, counters are open, and curves are full and slightly squarish at turns, producing a rhythmic, bouncy texture in text. Figures are simple and sturdy, matching the letterforms’ softened corners and forward-leaning stance.
It works well for brand marks, packaging, posters, and short-form headlines where a friendly, energetic voice is desired. In UI or editorial contexts it is best used for titles, callouts, and pull quotes, where its lively slant and rounded shaping can add personality without sacrificing legibility.
The overall tone is casual and upbeat, projecting a friendly, contemporary feel. The slant and rounded endings add motion and warmth, making the voice feel personable rather than formal or technical.
The design appears aimed at delivering a modern, approachable sans that feels fast and expressive while remaining clean and highly readable. Its rounded terminals and steady slant suggest a balance between contemporary signage clarity and a more informal, human touch.
Uppercase forms read cleanly with simplified geometry (notably broad, open bowls and smooth shoulders), while the lowercase introduces more character through playful curves and a handwritten-like swing in letters such as a, g, and y. The italic angle is assertive enough to signal emphasis on its own, which can make headings feel dynamic even at moderate sizes.