Sans Superellipse Pigav 6 is a very bold, narrow, low contrast, upright, tall x-height font visually similar to 'Bebas Neue Pro' by Dharma Type, 'Neusa Neu' by Inhouse Type, 'RBNo2.1' by René Bieder, 'Breuer Condensed' by TypeTrust, and 'Balbek Pro Cut' by Valentino Vergan (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, signage, industrial, poster, athletic, sturdy, vintage, space-saving impact, display emphasis, rugged clarity, retro-modern tone, blocky, compressed, squared-round, high impact, compact.
A compact, heavy sans with rounded-rectangular (superellipse) construction and strongly squared counters. Strokes are consistently thick with minimal modulation, producing dense, uniform color. Terminals are predominantly flat and blunt, with small chamfer-like notches appearing in several joins and diagonals, adding a cut-in, stencil-adjacent flavor without fully breaking forms. Round letters (C, G, O, Q, 0) read as squared ovals, while diagonals (K, V, W, X) are steep and tightly fit, reinforcing the compressed rhythm. Lowercase forms are tall and robust, with short-to-moderate ascenders/descenders and simplified bowls and shoulders for maximum solidity.
Best suited to headlines, posters, signage, and branding where tight width and high visual density are advantages. It can work well for packaging, labels, and attention-grabbing UI banners, especially when a sturdy, industrial tone is desired.
The overall tone is forceful and utilitarian—confident, punchy, and slightly retro. Its compact massing and squared-round geometry suggest a sports/industrial voice, leaning toward headline assertiveness rather than delicate refinement.
The design appears intended to deliver maximum impact in limited horizontal space, using superelliptical rounds and blunt terminals for a rugged, modernized display look. The small cut-in details add character and help prevent large dark shapes from becoming overly monotonous in big, bold settings.
The numerals follow the same squared-round logic and appear designed for strong silhouette recognition at display sizes. The face maintains consistent spacing and dense word shapes in the sample text, emphasizing impact and economy of horizontal space.