Sans Other Fura 4 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Maken' by Graphicxell and 'Friez' by Putracetol (names referenced only for comparison).
Keywords: posters, headlines, game ui, album art, branding, industrial, futuristic, mechanical, techno, brutalist, graphic impact, tech aesthetic, stencil effect, modular system, display emphasis, stencil-like, rectilinear, modular, blocky, square-cut.
A heavy, rectilinear sans built from modular blocks and hard right angles, with occasional clipped corners and narrow internal slits that read like cut-ins rather than traditional counters. The strokes are uniformly thick and the forms sit on a rigid grid, producing tight apertures and compact, squared bowls. Curves are largely suppressed in favor of squared geometry, and many characters feature small linear gaps that create a pseudo-stencil effect and a distinctly constructed texture in words.
Best suited to display settings such as posters, titles, packaging, and bold branding where the blocky construction can be appreciated at size. It also fits tech and game UI styling for labels and section headers, and works well in album art or event graphics that want a mechanical, industrial voice.
The overall tone is assertive and engineered, evoking industrial labeling, sci‑fi interfaces, and brutalist graphic systems. Its dense, cut-metal texture feels commanding and slightly dystopian, with a techno edge that reads as modern and utilitarian rather than friendly or conversational.
The design appears intended to translate a modular, cut-out aesthetic into a compact sans, prioritizing graphic impact and a distinctive texture over conventional text readability. The repeated slit/cut details suggest a deliberate attempt to create a signature techno-stencil voice that remains consistent across uppercase, lowercase, and numerals.
The built-in slit details become a strong repeating motif across lines of text, creating a striped rhythm that is most noticeable in longer passages and at larger sizes. Because counters and apertures are tight, clarity improves when given generous tracking and when used for short, high-impact statements rather than small, information-dense copy.