Sans Superellipse Hilis 22 is a bold, narrow, monoline, upright, normal x-height font visually similar to 'Mollen' by Eko Bimantara, 'Mozer' by Fontfabric, 'Hardley Brush' by Negara Studio, 'Fact' by ParaType, 'Breuer Condensed' by TypeTrust, and 'Probeta' by deFharo (names referenced only for comparison).
Keywords: headlines, posters, packaging, signage, logos, industrial, utilitarian, confident, modern, compact, space saving, high impact, systematic geometry, branding, squared-round, condensed, geometric, blocky, high-contrast (mass).
A compact, heavy sans with squared-round construction: curves resolve into rounded-rectangle bowls and terminals, and most joins feel clean and engineered. Strokes are consistently thick with little visible modulation, producing dense counters and a strong vertical rhythm. Capitals are tall and narrow with simplified geometry (notably in round letters like C, G, O, and Q), while the lowercase keeps a straightforward, sturdy build with minimal detailing. Numerals follow the same condensed, block-forward logic, reading as signage-oriented figures with firm horizontals and closed shapes.
Best suited for headlines, posters, labels, and packaging where a compact, high-impact line can carry the message. It can also work for logos and signage systems that need a sturdy, space-efficient sans with a distinctive squared-round geometry. For longer text, larger sizes and generous tracking help maintain clarity due to the dense counters.
The overall tone is assertive and workmanlike, with a modern, industrial voice. Its compact width and rounded-square forms suggest practicality and efficiency rather than elegance, giving it a confident, no-nonsense presence suited to bold messaging.
The design appears intended to deliver maximum impact in limited horizontal space, using rounded-rectangle geometry to create a consistent, industrial-modern texture. It prioritizes strong silhouette, uniform stroke weight, and compact rhythm for display-centric typography.
The superelliptical bowls and rounded corners keep the heaviness from feeling harsh, balancing blunt mass with a soft mechanical finish. The tight internal spaces and condensed proportions favor short bursts of text and large sizes where the shapes can breathe.