Sans Superellipse Askud 8 is a very light, normal width, low contrast, upright, short x-height font.
Keywords: headlines, logotypes, posters, packaging, invitations, art deco, elegant, airy, chic, playful, deco revival, ornamental display, branding, refinement, distinctiveness, monoline, geometric, rounded, linear, high-shouldered.
A very slender monoline sans with a geometric construction and rounded, superellipse-like bowls. Many capitals and figures use split stems and inline/double-line structures, creating a light, open interior rhythm rather than a single continuous stroke. Curves are smooth and controlled, with circular/superelliptic counters and minimal modulation; terminals are clean and unbracketed. Proportions feel tall and refined, with generous whitespace and a delicate overall color that favors display sizing over dense text blocks.
Best suited to headlines, titles, and short statements where the delicate strokes and inline detailing can be appreciated. It works well for brand marks, packaging, menus, invitations, and editorial display applications that want a refined, Deco-leaning tone; for small text or low-contrast settings, larger sizes and ample spacing will preserve clarity.
The font reads as glamorous and period-inflected, combining Art Deco elegance with a slightly whimsical, ornamental restraint. Its airy inline forms give a boutique, cocktail-lounge sophistication, while the rounded geometry keeps it friendly rather than severe.
The design appears intended to deliver a contemporary take on Art Deco display lettering: geometric, streamlined forms enhanced with inline/double-stem detailing for a premium, decorative effect. It balances ornament with readability by keeping the lowercase comparatively straightforward while letting the uppercase carry most of the personality.
The inline/double-stroke treatment appears most prominently in uppercase and certain numerals, producing a distinctive striped motif that can create visual sparkle in headlines. Lowercase is simpler and more utilitarian by comparison, which helps set longer words more calmly while still matching the geometric, rounded skeleton.