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Free for Commercial Use

Solid Omdo 3 is a very bold, very narrow, medium contrast, italic, normal x-height font visually similar to 'Vintage Scripter' by Nathatype (names referenced only for comparison).

Keywords: posters, headlines, stickers, packaging, merch, playful, goopy, cartoon, graffiti, rowdy, maximum impact, cartoon texture, handmade feel, silhouette-first, blobby, organic, soft-edged, chunky, bouncy.


Free for commercial use
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This typeface is built from dense, blobby silhouettes with soft, swollen contours and irregular, hand-formed edges. Counters and interior details are largely collapsed, so letters read as solid shapes with occasional pinched notches and protrusions hinting at structure. The forms lean forward and feel compressed overall, with uneven stroke bulges and a lumpy baseline rhythm that creates a highly animated texture in words. Spacing appears tight and the joins between shapes feel implied rather than drawn, prioritizing mass and silhouette recognition over internal clarity.

Best suited to display applications where impact matters more than fine detail—posters, bold headlines, sticker-style graphics, playful packaging, and merchandise. It can also work for event promos or youth-oriented branding when used at larger sizes and with extra spacing to keep letterforms distinct.

The overall tone is mischievous and exuberant, with a gooey, cartoon-like energy that feels loud and informal. Its irregularity suggests spontaneity and street/marker flavor, leaning toward playful chaos rather than refined typography.

The design intention reads as maximizing visual weight and personality through solid, inflated shapes while keeping letter recognition via expressive silhouettes. It appears aimed at creating a loud, comic, and slightly messy texture that feels hand-made and attention-grabbing.

In running text, the heavy silhouettes merge into a near-black ribbon, so it performs best when set large with generous tracking and ample line spacing. The most legible cues come from distinctive outer contours and directional cut-ins, making short words and display settings noticeably stronger than long passages.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸