Sans Superellipse Ombaz 10 is a bold, narrow, monoline, upright, normal x-height font visually similar to 'Acumin' by Adobe, 'Antiquel' by Lemonthe, 'Brainy Variable Sans' by Maculinc, 'Otoiwo Grotesk' by Pepper Type, 'Carounel' by Sensatype Studio, and 'Althawra Fikra' by syria arabic (names referenced only for comparison).
Keywords: ui labels, posters, signage, headlines, branding, industrial, modern, utilitarian, confident, technical, space efficiency, clarity, modern geometry, functional display, compact, squared-round, high contrast-free, crisp, geometric.
A compact sans with sturdy, even strokes and a squared-round construction that leans on rounded-rectangle (superellipse) curves. The forms are built from straight-sided bowls and softened corners, producing a clean, machined silhouette rather than purely circular geometry. Apertures are relatively tight and counters are robust, giving the letters a dense, efficient texture in lines of text. Proportions favor narrow widths with consistent stroke behavior, and the punctuation and numerals follow the same blunt, no-nonsense drawing.
Well-suited to space-conscious settings such as UI labels, navigation, and product interfaces where compact letters and strong presence are helpful. It also works effectively for headlines, posters, and signage that benefit from a bold, engineered look and consistent typographic color.
The overall tone is pragmatic and contemporary, with an industrial clarity that reads as straightforward and functional. Its squared-round curves add a subtle friendliness, but the tight rhythm and compact proportions keep it feeling controlled and purposeful.
The design appears aimed at delivering a modern, space-efficient sans with a distinctive squared-round geometry, prioritizing clarity and consistent texture over expressive calligraphic detail.
In the sample text, the font maintains a strong, uniform color and holds together well at larger sizes, where the rounded-rectangle logic becomes especially apparent. The shapes avoid decorative terminals, emphasizing disciplined geometry and a clean baseline/vertical alignment.