Outline Vazu 3 is a bold, very wide, monoline, upright, normal x-height, monospaced font.
Keywords: logotypes, posters, headlines, game ui, tech branding, techno, arcade, futuristic, industrial, sci‑fi, display impact, tech aesthetic, modular system, signal clarity, retro futurism, geometric, angular, square, stencil-like, octagonal.
A geometric, square-built outline face with consistent stroke thickness and a strongly modular construction. Letterforms are assembled from straight segments and sharp corners, frequently using clipped or chamfered angles that create an octagonal rhythm. Counters are largely rectangular and open, and many glyphs feature deliberate breaks and inset corners that read like cut-outs within a rigid grid. Proportions are expansive and blocky, with uniform widths and steady spacing that reinforce a systematic, display-first texture in lines of text.
This font is best suited to large-format applications where the outline construction and angular details can be appreciated—logos, posters, titles, packaging accents, and UI elements for games or tech-themed interfaces. It can also work for short blocks of text in settings that benefit from a strong, schematic voice, provided there is ample size and spacing.
The overall tone is futuristic and mechanical, evoking digital signage, arcade interfaces, and industrial labeling. Its crisp angles and intentional gaps give it a coded, engineered feel—confident, technical, and a bit retro-electronic.
The design appears intended to deliver a highly structured, grid-based display aesthetic: an outlined, cut-out look that balances bold presence with internal negative space. The consistent modular geometry suggests an aim for a cohesive techno style across letters and numbers while keeping the rhythm steady in sequences such as UI labels or headline lines.
Diagonal joins are used sparingly and feel engineered rather than calligraphic, which keeps the alphabet visually consistent across uppercase, lowercase, and numerals. The outlined construction remains clear at display sizes, while the internal breaks and tight apertures suggest careful attention to maintaining character distinction in a rigid geometric system.