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Free for Commercial Use

Stencil Gera 2 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'FreeSet' by ParaType (names referenced only for comparison).

Keywords: posters, headlines, signage, branding, packaging, industrial, technical, modernist, utilitarian, architectural, fabrication, modernism, impact, legibility, monoline, geometric, modular, angular, segmented.


Free for commercial use
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A monoline, geometric stencil design with clean, straight-sided bowls and sharp joins. Strokes are consistently thick and largely low-contrast, with frequent vertical and horizontal cuts that create clear stencil bridges across counters and terminals. Curves tend toward circular or near-circular construction, while diagonals (notably in A, V, W, X, Y, Z) are crisp and minimally tapered. The lowercase is compact and straightforward, with simple, single-storey forms and a restrained, functional rhythm that reads as engineered rather than calligraphic.

Best suited for display applications where the stencil cuts can be appreciated: posters, headlines, logos, packaging, and environmental or wayfinding-style signage. It can also work well for short UI labels or section headers when a technical, fabricated feel is desired, though the frequent breaks may become busy in long body copy.

The overall tone feels industrial and precise, with a modernist, engineered character. The repeated breaks and modular construction suggest signage, fabrication, and utilitarian labeling, giving the font a purposeful, no-nonsense voice that can also read as slightly futuristic.

The design appears intended to deliver a clean stencil aesthetic that remains legible while emphasizing constructed, fabricated letterforms. Its consistent stroke weight, geometric proportions, and repeated internal bridges point to a goal of creating a contemporary industrial voice for graphic and signage-oriented typography.

Stencil interruptions are placed consistently enough to feel systematic, creating strong internal rhythm and distinctive negative spaces inside round letters and numerals. The design maintains clarity at display sizes, where the bridges become a defining graphic feature and add texture to lines of text.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸