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Sans Normal Tobar 1 is a bold, normal width, very high contrast, upright, normal x-height font visually similar to 'Relais' by Blaze Type and 'Neue Magnat Standard' by René Bieder (names referenced only for comparison).

Keywords: headlines, magazine, posters, branding, packaging, editorial, fashion, dramatic, refined, luxury, high impact, premium feel, editorial display, brand voice, calligraphic, sculpted, bracketed, teardrop, angular.


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This typeface uses thick, weighty strokes paired with hairline-thin joins and terminals, creating a strongly sculpted, high-contrast rhythm. Curves are smooth and bulbous, while many letters end in sharp, wedge-like cuts and tapered points, producing a crisp, chiseled silhouette. Counters are generally generous and round, and the overall texture alternates between dense vertical masses and delicate connecting strokes. Uppercase forms feel stately and compact, while the lowercase introduces more calligraphic modulation and distinctive terminals, giving text a lively, slightly irregular color without losing consistency.

Best suited for headlines, large-scale typography, and brand moments where contrast and personality are desirable—such as magazine mastheads, fashion and beauty branding, posters, and premium packaging. In longer passages it will read most comfortably at larger text sizes with generous spacing to preserve the fine hairlines and sharp terminals.

The overall tone is upscale and theatrical, with a fashion/editorial sensibility and a confident, attention-grabbing presence. The sharp tapers and glossy contrast read as refined and premium rather than utilitarian, lending a sense of ceremony and display-driven polish.

The design appears intended to deliver a high-impact, luxury-forward voice by combining hefty main strokes with delicate hairlines and crisp, tapered finishing. It balances smooth, rounded construction with angular cuts to create a contemporary display look that still feels formal and editorial.

Numerals and capitals show strong weight concentration in main strokes with fine, elegant transitions, which makes the design especially striking at larger sizes. The angled cuts on diagonals (notably in letters like V, W, X, and Z) add a crisp, modern edge that contrasts with the rounded bowls and soft inner curves.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸