Font Hero

Free for Commercial Use

Slab Contrasted Ibne 8 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'Kondolar' by Cadson Demak, 'FF Marselis Slab' by FontFont, 'Aptifer Slab' by Linotype, and 'Hoyle' by Mans Greback (names referenced only for comparison).

Keywords: headlines, posters, sports branding, packaging, logotypes, rugged, retro, playful, assertive, sporty, impact, retro display, rugged branding, energetic emphasis, headline presence, blocky, bracketed, ink-trap hints, compact counters, wedge terminals.


Free for commercial use
Customize the font name

A heavy, right-leaning slab-serif with broad, bracketed serifs and chunky, sculpted joins. Strokes stay mostly even in weight, with subtle shaping and occasional notch-like cut-ins that sharpen interior corners and keep the forms from clogging at bold sizes. Uppercase letters are wide and stable with squared shoulders, while lowercase shows sturdy, rounded bowls and compact apertures, creating a dense, poster-friendly texture. Numerals match the mass and stance, maintaining strong footings and consistent rhythm across the set.

Best suited to display roles where weight and personality are assets: headlines, posters, packaging, and bold brand marks. It can also support short emphasis lines or pull quotes, especially when a retro-sport or rugged editorial flavor is desired.

The overall tone is bold and spirited, with a vintage, workwear-like toughness that still reads friendly and energetic. Its slanted posture and exaggerated slabs add motion and confidence, giving it a sporty, headline-driven attitude.

The design appears intended to deliver maximum impact with a confident italic slant, using oversized slabs and compact internal spaces to create a forceful, attention-grabbing texture. The added shaping and cut-ins suggest an aim to keep the bold forms crisp and lively in large-format typography.

The serif treatment is a defining feature: slabs are thick, often slightly tapered, and visually integrated through bracketing, producing a carved, display-oriented look. Tight counters and angular inner cuts increase bite and clarity at large sizes, while the overall blackness remains dominant and graphic.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸