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Free for Commercial Use

Wacky Ufza 2 is a very bold, wide, very high contrast, upright, normal x-height font.

Keywords: posters, headlines, album covers, game titles, event flyers, glitchy, industrial, rugged, playful, edgy, attention grabbing, distressed texture, stencil effect, experimental display, stenciled, distressed, blocky, angular, modular.


Free for commercial use
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A heavy, block-built display face with squared counters, chunky rectangular stems, and mostly orthogonal construction. Many glyphs show deliberate cutouts and interior gaps that read like stencil bridges, paired with chipped, irregular notches along edges for a distressed effect. The rhythm is compact and punchy, with broad shoulders, flat terminals, and occasional asymmetric bites that create a slightly unstable silhouette while keeping letterforms generally recognizable at display sizes. Numerals and capitals share the same rigid, modular logic, producing a cohesive, poster-like texture.

Best suited to short, high-impact settings such as posters, headlines, packaging callouts, album or mixtape art, and game or stream titles. It can also work for themed branding where a distressed, industrial or glitch-inflected voice is desired, especially when set large with generous spacing.

The overall tone feels noisy and engineered—like corrupted signage or stamped lettering that’s been weathered and reprinted. Its irregular interruptions add a mischievous, chaotic energy, balancing toughness with a wacky, experimental character.

Likely designed to deliver maximum visual punch through dense, blocky forms while injecting character via systematic cutouts and irregular damage. The intent appears to be a display font that feels stamped, hacked, or glitched—recognizable, but intentionally imperfect and expressive.

In longer lines the frequent internal breaks create a strong black-and-white flicker, which amplifies impact but can reduce readability at smaller sizes. The most distinctive cue is the combination of stencil-like interior bridges with scattered distress marks, giving the face a hybrid of utilitarian signage and playful deformation.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
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9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸