Sans Normal Afgug 3 is a regular weight, normal width, low contrast, italic, normal x-height font visually similar to 'Artegra Sans' by Artegra, 'Nicky Sans' by Digitype Studio, 'FF Mark' and 'FF Mark Paneuropean' by FontFont, 'Clear Sans' by Positype, 'Neurath' by René Bieder, 'Manifestor' by Stawix, and 'TT Norms Pro' by TypeType (names referenced only for comparison).
Keywords: branding, headlines, sportswear, ui labels, posters, modern, technical, sporty, clean, dynamic, convey speed, modernize, improve clarity, add emphasis, geometric, rounded, oblique, monoline, open apertures.
A geometric sans with an oblique slant and largely monoline construction. Curves are built from clean circular and elliptical forms, producing round bowls and smooth transitions, while terminals are mostly straight or subtly rounded. Proportions feel slightly extended with generous counters and open apertures (notably in C, S, e, and c), keeping the texture airy despite the slant. Figures are simple and sturdy, with a clear, contemporary rhythm and consistent stroke behavior across uppercase, lowercase, and numerals.
Well-suited for contemporary branding, headlines, and short-to-medium display copy where a dynamic, italicized sans is desired. It also works for UI labels, packaging, and sports or automotive-themed graphics thanks to its clean geometry and energetic slant.
The overall tone is modern and energetic, with a forward-leaning stance that suggests motion and speed. Its clean geometry and restrained detailing give it a precise, engineered feel, while the rounded shapes keep it approachable rather than severe.
The design appears intended to deliver a modern geometric sans optimized for a sense of motion, pairing clear, open forms with an oblique angle for emphasis. It aims for versatile display readability with a crisp, engineered personality rather than decorative flair.
Diagonal joins and angled terminals create a lively baseline flow, and the round punctuation-like dots (as seen on i/j) reinforce the geometric theme. Uppercase forms stay straightforward and legible, while the lowercase introduces a slightly more human, readable cadence without breaking the consistent, constructed style.