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Sans Normal Otkej 5 is a very bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Poynter Gothic' by Font Bureau, 'Brignell Square' by IB TYPE Inc., 'Frankly JNL' by Jeff Levine, 'Condell Bio' by Letritas, 'MC Fhoden' by Maulana Creative, 'Foreday Semi Sans' by Monotype, 'Plymouth Serial' by SoftMaker, and 'TS Franklin Gothic' and 'TS Plymouth' by TypeShop Collection (names referenced only for comparison).

Keywords: headlines, posters, packaging, logos, children’s media, friendly, playful, chunky, retro, soft, approachability, impact, display clarity, playfulness, branding, rounded, puffy, bouncy, informal, cartoonish.


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A heavy, rounded display face with soft corners and swollen strokes that keep a consistently smooth, sculpted silhouette. Curves dominate the construction, with broad bowls and closed counters that stay readable despite the dense weight. Terminals tend to be blunted and slightly bulbous, and joins are gently eased rather than sharp, giving forms a cushioned look. Overall spacing is compact but not cramped, with sturdy verticals and simplified details that favor bold, clean shapes over fine nuance.

Best suited for short, high-impact settings such as headlines, posters, title treatments, and branding marks where a bold, friendly voice is desired. It also fits packaging and signage that benefits from rounded, approachable shapes. For long passages at small sizes, the dense weight and tight counters may reduce clarity, so it performs strongest at display scales.

The tone is warm and approachable, with a playful, slightly comedic bounce that feels more handmade than engineered. Its chunky rhythm and soft geometry read as optimistic and kid-friendly, while the confident weight adds a poster-like assertiveness.

The design appears intended to deliver a soft, bold display voice built from simple rounded geometry—prioritizing approachability, immediacy, and graphic impact. It aims to feel lively and informal while staying clean enough for modern branding and promotional typography.

In text settings, the heavy color builds quickly, creating strong impact at larger sizes and a distinct, uniform texture across lines. The numerals match the letterforms with similarly rounded construction and substantial presence, reinforcing a cohesive, friendly display personality.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸