Sans Other Onjo 6 is a bold, very wide, monoline, upright, normal x-height font visually similar to 'Memory Square' by Beware of the moose (names referenced only for comparison).
Keywords: headlines, logotypes, posters, game ui, sci-fi ui, techno, futuristic, industrial, retro arcade, mechanical, tech styling, modular system, high impact, interface look, squared, angular, octagonal, stencil-like, geometric.
A geometric display sans built from thick, uniform strokes and squared counters, with frequent 45° chamfered corners that create an octagonal, cut-metal silhouette. The forms are predominantly rectilinear, with tight apertures and boxy bowls; many joins and terminals end in flat, squared stops. Uppercase and lowercase share a strongly constructed, modular feel, and numerals follow the same squared logic with consistent stroke weight and crisp inside corners. Spacing in text appears compact and rhythmic, producing a dense, high-contrast block of black-on-white texture without any curves or calligraphic modulation.
Best suited to short, prominent text where its angular construction can be appreciated—headlines, branding marks, poster titles, packaging accents, and interface-style graphics for games or sci‑fi themed projects. It also works well for labels or section headers where a compact, mechanical texture helps establish a strong visual identity.
The overall tone is unapologetically technical and synthetic, evoking sci‑fi interfaces, arcade-era hardware, and industrial labeling. Its sharp chamfers and squared geometry read as engineered and utilitarian, with a slightly aggressive, game-UI energy that prioritizes impact and structure over softness.
The design appears intended to deliver a bold, engineered look through a strictly geometric, chamfered construction, creating a coherent techno voice across letters and numbers. The consistent stroke system and squared counters suggest a goal of maximum visual presence and a modular, display-first personality.
Distinctive details include angular diagonals (notably in K, V, W, and Z) and squared, nearly rectangular bowls in letters like O, D, and P. The lowercase remains highly stylized and modular rather than traditional, which reinforces the display character and makes the font feel like a unified system of constructed parts.