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Free for Commercial Use

Serif Forked/Spurred Tape 4 is a very bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Grupi Sans' by Dikas Studio, 'Taberna' by Latinotype, 'Extra Old' by Mans Greback, 'Trade Gothic Display' by Monotype, and 'Tolyer' by Typesketchbook (names referenced only for comparison).

Keywords: posters, headlines, signage, packaging, brand marks, victorian, playful, theatrical, folkloric, retro, attention grab, vintage flavor, decorative display, character branding, ornate, tusked, flared, bracketed, bouncy.


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A very heavy, upright serif with bulbous, rounded forms and pronounced, decorative terminals. Strokes swell into teardrop and spurred endings, with bracketed joins and soft, scooped curves that create a lively, uneven rhythm across words. Counters are compact and often pinched by the weight, while openings and cross-strokes tend to be short and stout, reinforcing a chunky, poster-like silhouette. The overall texture reads as dense and dark, but the rounded shaping and frequent terminal flourishes keep it from feeling rigid.

Best suited for large-scale display: headlines, posters, event branding, signage, and packaging where a vintage ornamental serif can carry the visual identity. It also fits short logotypes and badges that benefit from a bold, characterful silhouette. For longer passages, it’s more effective in short bursts (pull quotes or subheads) than continuous reading.

The tone is theatrical and nostalgic, evoking old display lettering used for fairs, saloons, circus bills, and storybook headings. Its spurred terminals and cushioned curves add a mischievous, handcrafted feeling that comes across as friendly rather than formal. The voice is bold and attention-seeking, with a slightly whimsical, vintage character.

The design appears intended to deliver maximum personality at display sizes through heavy strokes, compact counters, and signature spurred terminals that create a distinctive, antique-showcard feel. Its shapes prioritize impact and charm over neutrality, aiming to stand out instantly in branding and titling contexts.

At text sizes the heavy weight and compact internal spaces can cause letters to visually merge, so it performs best when given generous size and some tracking. The figures match the same chunky, ornamental logic as the letters, making them suited for short, emphatic numeric callouts rather than dense tables.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸