Sans Other Ifja 5 is a bold, wide, monoline, upright, normal x-height font.
Keywords: headlines, logos, posters, packaging, signage, retro, techy, chunky, playful, industrial, display impact, geometric clarity, modular styling, brandability, retro-tech tone, squared, rounded, modular, compact, stencil-like.
A chunky, squared sans with monoline strokes and generously rounded outer corners. Terminals are predominantly flat and horizontal, while many joints form soft, squared-off curves that create a “cut and carved” silhouette. Counters are compact and geometric (notably the near-circular O), with several letters showing distinctive notched or clipped areas that introduce a modular, almost stencil-like rhythm. Overall spacing and proportions feel expanded, producing broad letterforms with strong, blocky presence and consistent stroke behavior across uppercase, lowercase, and numerals.
Best suited to headlines, logos, and short bursts of text where its carved geometry and broad shapes can read cleanly. It works well for posters, packaging, and signage that benefit from a retro-tech tone and high visual impact, while extended body copy may feel dense due to compact counters and strong texture.
The design reads as retro-futurist and mildly arcade-like, mixing friendly rounded corners with hard, mechanical cuts. It feels assertive and graphic, with a playful, constructed personality that suggests display-first usage rather than quiet neutrality.
Likely intended as a distinctive display sans that blends rounded geometric foundations with deliberate notches and squared terminals to create a constructed, industrial flavor. The consistent modular cuts suggest a goal of strong recognizability and a branded, attention-grabbing texture in larger sizes.
Uppercase forms lean toward simplified geometry (e.g., a squared U and angular K), while lowercase maintains the same engineered logic with short, flat terminals and distinctive cut-ins. Numerals follow the same blocky construction, with clear, poster-friendly shapes and minimal contrast.