Sans Other Wiva 2 is a very bold, very wide, very high contrast, upright, tall x-height font.
Keywords: posters, headlines, logos, branding, packaging, futuristic, graphic, modular, playful, poster-like, visual signature, display impact, pattern texture, tech aesthetic, stencil-like, geometric, monolinear, cutout, experimental.
A geometric sans with monoline outlines paired with large, solid fills that appear as horizontally sliced blocks inside many letters. Bowls and counters are clean and circular-leaning, while stems are straight and uniform, producing a crisp, constructed rhythm. Several glyphs introduce deliberate cutouts, hard joins, and occasional wedge-like terminals, creating a modular, almost stencil/cut-paper feel. Spacing and letterfit read as display-oriented, with strong internal contrast created by the interplay of thin outlines and heavy filled areas rather than traditional stroke modulation.
Best suited for large-size applications where its internal cutouts and banding can be appreciated: posters, headlines, event graphics, and brand marks. It can also work for packaging and short callouts where a strong, stylized texture helps establish a futuristic or experimental identity. For extended reading or small UI text, the intricate internal structure may compete with legibility, making it more effective as an accent or display face.
The overall tone is bold and graphic, combining modernist geometry with an experimental, playful disruption. The repeated half-filled motif suggests a techno or sci‑fi flavor, while the simplified forms keep it approachable and icon-like. It feels designed to be noticed, emphasizing pattern and silhouette over neutrality.
The design appears intended as an experimental display sans that builds identity through a consistent horizontal slice-and-fill system. By keeping the underlying skeleton geometric and upright while introducing bold internal blocks, it aims to create a distinctive, repeatable visual signature across letters and numbers.
The fill/void treatment is highly consistent across the set, so words develop a distinctive banded texture at larger sizes. Curved letters (C, O, S, e, g) maintain smooth geometry, while diagonals and junctions (A, K, M, V, W, Y) lean into sharp, engineered shapes; together this creates a deliberate mix of round and angular cues. Numerals follow the same sliced, high-impact logic, reading clearly as symbols in display settings.