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Sans Normal Abnoy 2 is a regular weight, normal width, low contrast, italic, normal x-height font visually similar to 'Camingo Dos Office', 'CamingoDos', and 'CamingoDos SemiCondensed' by Jan Fromm and 'Corpid' by LucasFonts (names referenced only for comparison).

Keywords: ui text, editorial, presentations, branding, infographics, clean, modern, neutral, technical, efficient, emphasis, clarity, modernity, motion, slanted, monoline, open counters, rounded terminals, humanist.


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This typeface is a slanted sans with mostly monoline strokes and gently rounded curves. Letterforms show open apertures and smooth, circular bowls, with restrained modulation and a consistent, even rhythm across upper- and lowercase. The slant is steady and fairly pronounced, giving forward motion without becoming cursive; shapes remain clearly constructed rather than calligraphic. Spacing appears moderate and regular, and figures follow the same straightforward, curved-and-straight construction for a cohesive texture in text.

It fits well for interface typography, dashboards, and product communication where a modern slanted sans can add emphasis without sacrificing readability. The steady texture and open forms also suit editorial sidebars, captions, slides, and data-led layouts. For branding, it works best where a contemporary, efficient tone is desired rather than a decorative or expressive script feel.

The overall tone is contemporary and pragmatic, with a clear, no-nonsense voice. The slant adds energy and momentum, suggesting speed and modernity while keeping a calm, controlled feel suitable for functional communication.

The design appears intended to provide an italicized companion with a clean sans structure: forward-leaning for emphasis and motion, yet built with simple, durable shapes that stay legible in continuous text. Its consistent stroke behavior and moderate proportions suggest an emphasis on versatile, general-purpose use across print and screen.

Uppercase forms keep simple geometry (notably rounded C/O/Q and a clean, compact G), while lowercase retains readable, familiar silhouettes with single-storey-style simplicity where visible and open counters that help maintain clarity. Numerals are clean and utilitarian, matching the letterforms’ smooth curves and steady stroke weight.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸