Font Hero

Free for Commercial Use

Sans Normal Radul 7 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Hero Sandwich Ingredients' and 'Hero Sandwich Pro' by Comicraft, 'Grupi Sans' by Dikas Studio, 'Aspira' by Durotype, and 'Neue Reman Gt' and 'Neue Reman Sans' by Propertype (names referenced only for comparison).

Keywords: headlines, posters, packaging, children, logos, playful, friendly, chunky, casual, retro, approachability, playfulness, display impact, friendly branding, rounded, soft, puffy, bouncy, informal.


Free for commercial use
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A heavy, rounded sans with soft terminals and inflated-looking strokes that keep corners blunt rather than sharp. Curves dominate the construction, with wide bowls, open counters, and a slightly bouncy baseline feel created by subtly uneven joins and varied internal spacing. Proportions are compact and sturdy, with short ascenders/descenders and simple, single-storey lowercase forms that read clearly at display sizes. Numerals match the same chunky geometry, with rounded corners and sturdy verticals.

Best suited for short, high-impact settings such as headlines, posters, product packaging, and brand marks that want a friendly, approachable voice. It also works well for children’s content, casual signage, and social graphics where a soft, chunky presence helps grab attention without feeling aggressive.

The overall tone is warm and approachable, leaning toward a lighthearted, kid-friendly personality rather than a strict or corporate voice. Its soft, bulbous shapes give it a cozy, handcrafted energy while still staying clean enough to feel contemporary.

The design appears intended to deliver a bold, rounded display voice that feels welcoming and fun, prioritizing strong silhouettes and soft geometry. It aims to balance simple construction with a slightly quirky rhythm, giving designers a personable sans for playful branding and attention-grabbing titles.

The bold mass and rounded joins create strong silhouette recognition, making the typeface especially dependent on spacing and rhythm for readability in longer lines. Uppercase forms appear more geometric and blocky, while lowercase feels more casual and expressive, reinforcing an informal, conversational texture in running text.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸