Sans Superellipse Higaf 7 is a very bold, very narrow, low contrast, upright, normal x-height font visually similar to 'Geogrotesque Condensed Series' and 'Geogrotesque Sharp' by Emtype Foundry, 'Dickson' by Groen Studio, 'Champion Gothic' by Hoefler & Co., 'Burger Honren' by IRF Lab Studio, 'Hype vol 3' by Positype, and 'Cargi' by Studio Principle Type (names referenced only for comparison).
Keywords: headlines, posters, packaging, signage, logos, condensed, industrial, assertive, utilitarian, modern, space saving, impact, clarity, blocky, compact, squared, rounded corners, sturdy.
A compact, heavy sans with tightly set proportions and a strongly condensed footprint. Strokes are uniform and solid, with rounded-rectangle construction visible in curves and counters; corners tend to soften into squarish radii rather than true circles. Terminals are clean and blunt, producing a dense, high-impact texture in words. Counters are relatively small and the overall silhouette reads as tall, stacked, and rhythmically even, with simplified joins and minimal detail.
This font suits headlines and display settings where space is tight but impact is needed, such as posters, storefront or wayfinding signage, packaging panels, and bold brand marks. It also works well for short UI labels or badges when a compact, emphatic tone is desired, especially at larger sizes where the tight counters remain clear.
The tone is forceful and functional, leaning toward an industrial, no-nonsense voice. Its compressed shapes and squared rounding suggest signage, labeling, and sporty or workwear branding rather than delicate editorial typography. The overall feel is confident and direct, optimized to grab attention fast.
The design appears intended to deliver maximum presence in minimal horizontal space, using sturdy superellipse-based shapes and blunt terminals for a clean, engineered look. It prioritizes visual punch, consistent texture, and straightforward legibility over nuance or calligraphic detail.
Uppercase forms emphasize straight-sided geometry, while lowercase retains the same blocky logic with compact bowls and short apertures. Numerals follow the same condensed, squared-rounded approach, keeping a consistent color across mixed text and numbers.