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Sans Contrasted Abro 2 is a regular weight, normal width, high contrast, upright, normal x-height font.

Keywords: magazine headlines, book covers, editorial design, branding, invitations, refined, editorial, classic, formal, literary, editorial elegance, classic authority, display clarity, premium branding, print tradition, sharp, crisp, sculpted, calligraphic, bracketed.


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A high-contrast roman with crisp, tapered terminals and finely cut hairlines paired with sturdy vertical stems. The letterforms show classical proportions with a moderate x-height, generous counters, and a clear baseline rhythm. Serifs are sharp and bracketed, with subtle flaring where strokes transition into terminals; diagonals and joins are clean and controlled. Capitals read stately and well-balanced, while the lowercase mixes elegant curves with narrow entry/exit strokes that emphasize contrast in text settings. Numerals follow the same contrast pattern, with a distinctive, old-style feel in several figures and lively stroke modulation.

This font is well-suited to display and headline work where its contrast and sharp detailing can shine—magazines, book jackets, cultural branding, and formal announcements. It can also work for short-form text in editorial layouts when set with comfortable leading, especially where a classic, premium tone is desired.

The overall tone is polished and authoritative, with a distinctly literary, editorial voice. Its sharp serifs and dramatic thick–thin shifts suggest heritage and craft, lending a premium, formal character that feels at home in traditional print aesthetics.

The design appears intended to deliver a contemporary take on a classical, high-contrast roman: elegant proportions, crisp serif finishing, and a strong typographic voice for refined communication. Its controlled modulation and sculpted terminals prioritize sophistication and impact in titles and prominent text.

In the sample text, the font maintains strong word-shape clarity and a consistent texture despite the pronounced contrast. Round letters (like O/C/G) appear slightly condensed and vertically oriented, reinforcing a composed, classical stance, while details such as the tail treatments and tapered ends add visual sophistication at larger sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸