Outline Kaji 3 is a very light, very wide, low contrast, upright, tall x-height font.
Keywords: headlines, posters, logos, packaging, game ui, retro tech, arcade, modular, playful, schematic, display impact, retro digital, modular system, novelty styling, title emphasis, geometric, rectilinear, monoline, angular, notched.
A rectilinear, modular outline design built from square proportions and crisp right angles, with occasional 45° chamfers. The letterforms are drawn as hollow contours with a consistent, thin stroke and generous interior space, producing a light, airy texture. Many glyphs incorporate small notches and inset cuts that act like pixel/slot details, giving the set a constructed, block-by-block feel. Counters are typically squarish and open, and curves are largely avoided in favor of stepped geometry; joins stay clean and orthogonal, with a uniform outline rhythm across uppercase, lowercase, and figures.
Best suited to large-scale typography such as headlines, posters, title cards, and logo wordmarks where the outlined construction can be appreciated. It also fits themed applications like arcade/game UI, tech-event graphics, and packaging accents, especially when paired with solid fills or high-contrast backgrounds.
The overall tone reads as retro-digital and game-adjacent—part arcade display, part technical diagram. The notched corners and boxy outlines introduce a playful, gadget-like character while still feeling systematic and engineered.
The design appears intended to translate a blocky, pixel-influenced silhouette into a clean outline system, using modular geometry and small cut-in details to keep otherwise simple forms lively. The aim seems to be a distinctive display face that signals retro tech and playful structure rather than conventional text readability.
Because the forms are outline-only, the font’s presence depends strongly on size and background contrast; it visually “fills in” as it gets larger. The distinctive inset cuts create strong personality but also add visual noise in dense settings, especially in long passages.