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Free for Commercial Use

Inline Mijo 1 is a very bold, normal width, low contrast, upright, normal x-height font.

Keywords: posters, headlines, logotypes, packaging, signage, art deco, jazz-age, theatrical, retro, showcard, deco revival, marquee appeal, ornamental impact, geometric clarity, geometric, inline, stencil-like, high impact, decorative.


Free for commercial use
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A geometric display face built from thick, monolinear letterforms carved with consistent inline channels and small breaks that create a segmented, stencil-like rhythm. Curves are broadly circular (notably in C, G, O, Q) with crisp vertical terminals, while straight-sided forms (E, F, H, I, L, T) emphasize strong uprights and compact counters. The inline cut-ins are placed with regularity, giving each glyph a layered, outlined look without relying on stroke contrast. Spacing and proportions are tuned for display: wide rounds, compact joins, and simplified diagonals that keep silhouettes bold and readable at large sizes.

Best suited to large-scale applications where the inline detailing can be appreciated: posters, event flyers, title treatments, signage, packaging, and brand marks that want a vintage-meets-modern display flavor. It performs especially well in short bursts of text—names, slogans, and section headers—rather than long reading paragraphs.

The overall tone feels distinctly Art Deco and stage-forward—evoking marquee lettering, jazz-era posters, and glamorous nightlife graphics. The carved inline detailing adds a mechanical, architectural polish that reads as both vintage and playful, with a confident, high-impact presence.

The design appears intended as a bold decorative display face that nods to early 20th-century geometric lettering while adding a consistent inline carving for texture and distinction. The goal seems to be instant visual character and strong silhouette recognition in headline settings.

Several glyphs use deliberate interruptions in the inline channels to maintain clarity in tight curves and joints, reinforcing a constructed, sign-painting or cut-letter aesthetic. The numerals and lowercase maintain the same decorative logic, helping mixed-case settings look cohesive in headlines and short phrases.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸