Sans Normal Addil 15 is a regular weight, wide, low contrast, italic, normal x-height font visually similar to 'Galano Grotesque' by René Bieder (names referenced only for comparison).
Keywords: ui labels, headlines, wayfinding, branding, packaging, modern, clean, technical, efficient, sporty, clarity, modernization, motion, utility, oblique, geometric, monoline, open apertures, generous spacing.
This typeface is a slanted, monoline sans with geometric construction and smooth, rounded curves. Strokes maintain an even thickness throughout, with clean terminals and minimal modulation, giving the letters a steady, engineered rhythm. Counters are generally open and simple, and many forms lean on circular and elliptical geometry (notably in C/O/Q and the bowls of B/P/R). The numerals share the same forward-leaning stance and simplified shapes, with clear, unembellished joins and consistent stroke endings.
It suits interface labels, navigation, and product UI where a clean, contemporary voice is needed, especially at medium to large sizes. The forward-leaning stance also makes it effective for headlines, sports or tech branding, and short marketing lines where momentum and clarity are desirable. It can work in signage and wayfinding when the slant aligns with the visual system and sufficient size/spacing are maintained.
The overall tone feels modern and streamlined, with a brisk forward motion from the consistent slant. Its geometric clarity and even color read as precise and functional, while the rounded curves keep it approachable rather than rigid. The impression lands between contemporary UI sans and sporty, performance-oriented branding.
The design appears intended as a contemporary geometric oblique sans that delivers a crisp, efficient texture with a sense of motion. Its consistent stroke weight and simplified, rounded forms suggest an aim for clarity and neutrality, while the slant adds energy for display-oriented applications.
Uppercase forms are compact and tidy, with straightforward diagonals and restrained curves; the Q’s tail and the R’s leg add just enough character without breaking the system. Lowercase shapes keep a simple, contemporary flavor with round bowls and clear differentiation, supporting a uniform texture in running text. The sample text shows stable word shapes and a consistent typographic color at larger sizes, with the oblique angle providing emphasis even without additional styling.