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Distressed Ihrur 5 is a very bold, very narrow, high contrast, upright, normal x-height font visually similar to 'Hot Rush' by Set Sail Studios, 'IRON MAN OF WAR' by The Fontry, and 'Winner Sans' by sportsfonts (names referenced only for comparison).

Keywords: posters, album art, headlines, labels, event promo, gritty, industrial, vintage, noisy, raw, impact, texture, ruggedness, retro print, poster type, condensed, blocky, chiseled, weathered, inked.


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A condensed, heavy display face built from tall, rectangular letterforms with squared terminals and a predominantly vertical rhythm. Strokes feel carved and poster-like, with sharply cut corners in places and occasional notch-like contours that emphasize a stamped construction. The texture is integral: edges are roughened and interiors show uneven fill and small voids, creating a worn print effect. Spacing is compact and the overall silhouette reads as narrow columns, while widths still vary enough to keep a natural, non-monospaced cadence.

Best suited for short, high-impact text such as posters, headlines, album/cover art, and promotional graphics where texture and attitude are part of the message. It also works well on labels and packaging that aim for a rugged, vintage-industrial impression. For readability, it’s most effective at display sizes and with some breathing room in line spacing.

The font projects a gritty, industrial tone, like ink pushed through a tired stencil or type pressed onto rough stock. Its distressed texture adds urgency and attitude, evoking underground flyers, warehouse signage, and weathered packaging. The overall feel is assertive and slightly abrasive rather than polished or refined.

The design appears intended to deliver an emphatic condensed headline look while embedding a distressed, imperfect print texture directly into the letterforms. Its squared geometry provides a sturdy base, and the rough edges and mottled fill add a deliberately worn, analog character for thematic display typography.

The distressed treatment remains consistent across caps, lowercase, and numerals, with the texture most visible in vertical stems and enclosed counters. Counters are generally small and simplified, reinforcing a dense, high-impact color on the page. The narrow build and rough edges can reduce clarity at small sizes, but become a strong stylistic asset in larger settings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸