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Free for Commercial Use

Inverted Bevo 4 is a very bold, narrow, high contrast, upright, tall x-height font.

Keywords: posters, headlines, packaging, labels, wayfinding, industrial, signage, stencil-like, utilitarian, modernist, high-impact, tile system, sign-like, graphic texture, contrast play, monoline, inline, incised, geometric.


Free for commercial use
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A condensed sans with smooth, monoline contours and rounded bowls, presented as white letterforms cut out of solid black rectangles. The design reads as an inverted, hollow/inline construction: strokes are defined by interior cut-outs, leaving consistent black “walls” around and between counters. Curves are clean and circular, joins are crisp, and overall spacing is compact, producing a tightly paced rhythm. Numerals and lowercase share the same narrow set width, and the tall lowercase proportions keep interiors open despite the heavy surrounding mass.

Best suited to headlines and display settings where the tile-like forms can act as a graphic motif—posters, packaging, labels, and bold wayfinding-style treatments. It can also work for short UI or button labels when used at sufficiently large sizes to preserve the interior cut-outs.

The font feels industrial and signage-driven, like safety labels or equipment markings where contrast and containment matter. Its boxed silhouettes create a bold, assertive presence with a slightly technical, stencil-like character, while the rounded inner shapes soften the tone into something modern and graphic rather than aggressive.

The design appears intended to merge typography with a strong background block, turning each character into a self-contained sign unit. By relying on hollowed interior shapes and inversion, it prioritizes instant impact and repeatable visual rhythm over subtle text color or lightness adjustments.

Because each glyph is visually contained in a strong rectangular field, word shapes appear as a sequence of tiles, emphasizing texture and pattern as much as letterform detail. Small features (like terminals and apertures) rely on negative space, so the design’s clarity is tied closely to maintaining enough size for those cut-outs to read cleanly.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸