Sans Superellipse Piboj 2 is a very bold, narrow, monoline, upright, normal x-height font.
Keywords: posters, headlines, branding, packaging, signage, industrial, retro, compact, assertive, utilitarian, space saving, high impact, signage clarity, mechanical unity, display emphasis, condensed, rounded corners, squared curves, high contrast black, tight spacing.
A compact, heavy display sans built from squared-off curves and rounded-rectangle geometry. Strokes are consistently thick, with minimal modulation and crisp, mostly flat terminals; corners are softened just enough to keep counters from collapsing at smaller sizes. Proportions are tall and condensed, with short crossbars and economical apertures that create a dense, vertical rhythm. Round letters like O/C/G read as superelliptical forms, while joins and internal cut-ins stay sharp and mechanical for a strong, poster-like silhouette.
Works best for headlines, posters, packaging, and signage where strong presence and efficient width are priorities. It’s well suited to logos, labels, and short bursts of copy that benefit from a compact, industrial voice. For longer passages, it will be most effective at larger sizes where the dense counters can breathe.
The overall tone is bold and no-nonsense, with an industrial, slightly retro flavor. Its condensed stance and blocky curves feel confident and functional—more “label and signage” than “friendly editorial.” The rounded corners add a touch of approachability while keeping the voice firm and authoritative.
The design appears intended to deliver maximum impact in limited horizontal space, using rounded-rectangle forms to keep a cohesive, engineered look. Its consistent weight and simplified detailing suggest a focus on reproducible, attention-grabbing typography for display applications rather than delicate text rendering.
In running text the texture is dark and compact, with tight internal spaces that emphasize impact over airiness. Numerals follow the same squared-curve logic and appear designed to stay punchy in large sizes. The lowercase shows simple, sturdy constructions that maintain consistency with the uppercase without becoming overly geometric or fragile.