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Free for Commercial Use

Outline Myko 4 is a very light, wide, low contrast, upright, normal x-height font.

Keywords: headlines, posters, logotypes, signage, packaging, modern, architectural, technical, minimal, clean, outline display, signage feel, geometric clarity, minimal styling, modern branding, geometric, monoline, rounded, open counters, neon-like.


Free for commercial use
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A monoline outline sans with uniform stroke thickness and open, airy counters. The construction leans geometric with round bowls (O, C, G) and straightforward verticals, while corners are gently softened rather than sharply squared. Letterforms are clean and uncluttered, with generous interior space created by the double-contour outline and restrained detailing in joins and terminals. Numerals follow the same simple, rounded skeleton, keeping the set visually consistent in rhythm and spacing.

Best suited for large-scale applications such as headlines, posters, branding marks, packaging callouts, and environmental or wayfinding-style graphics where the outline effect can read clearly. It can also work for short UI labels or badges when ample size and contrast are available, but it is most effective as a display face rather than for dense reading.

The outline treatment gives the face a light, luminous feel reminiscent of signage and wireframe drawing. Its calm geometry and pared-back forms read as contemporary and technical, with a slightly retro display flavor when set large. Overall it communicates clarity, precision, and a quiet sense of modernity rather than warmth or ornament.

The font appears designed to deliver a streamlined outline aesthetic over a straightforward geometric sans skeleton, prioritizing a clean contour and consistent stroke logic. The goal seems to be a contemporary display voice that evokes technical drawing or illuminated signage while remaining neutral enough for a range of modern graphic contexts.

Because the design is purely contour-based, the perceived weight depends strongly on background and size: at larger sizes it feels crisp and graphic, while at smaller sizes the interior voids and thin outlines can reduce legibility. The rounded geometry keeps paragraphs looking even, and the consistent stroke logic across uppercase, lowercase, and figures supports cohesive typographic color in display settings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸