Sans Other Syho 2 is a very light, very wide, monoline, upright, short x-height font.
Keywords: headlines, logos, posters, gaming, ui display, futuristic, techno, geometric, schematic, retro sci-fi, tech aesthetic, sci-fi styling, modular system, display impact, angular, rectilinear, modular, outlined, wireframe.
A rectilinear, outline-driven sans built from straight strokes and sharp corners, with occasional diagonals used for forms like K, V, W, X, and Z. The letterforms favor open, squared counters and segmented construction, creating a modular, grid-like rhythm across lines of text. Stroke endings are crisp and unadorned, and the overall drawing reads as a technical wireframe rather than a filled, solid silhouette. Curves are largely avoided, replaced by chamfered or angular solutions that keep the texture consistently mechanical.
Best suited to display settings where the angular, wireframe construction can be appreciated—headlines, branding marks, posters, and on-screen graphics with a tech or sci‑fi theme. It can also work for short UI labels or HUD-style elements when set large enough to preserve the thin outline detail, but it is less appropriate for long-form reading.
The font conveys a futuristic, interface-like tone with strong retro-digital associations—more “schematic display” than everyday text. Its airy outline structure and geometric rigor feel clinical, synthetic, and deliberate, suggesting technology, sci‑fi titling, and engineered systems rather than warmth or tradition.
The design intention appears to be a stylized, geometric sans that prioritizes a modular, engineered aesthetic. By reducing forms to straight segments and squared counters, it creates a distinctive techno voice meant for impactful display typography rather than neutral body text.
Because the design is outline-based with many open corners and segmented strokes, the perceived color stays light and the texture can become delicate at small sizes or on low-contrast backgrounds. The modular logic gives distinctive shapes to many letters and numbers, emphasizing style over conventional readability.