Sans Superellipse Gigab 5 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'CA Zentrum' by Cape Arcona Type Foundry, 'Relative' by Colophon Foundry, 'Konsens' by Hubert Jocham Type, 'Klaster Sans' by Kobuzan, 'MVB Embarcadero' by MVB, 'Frygia' by Stawix, and 'Cern' by Wordshape (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, bold, friendly, modern, sporty, confident, impact, approachability, modernity, brand voice, rounded, compact, blocky, geometric, sturdy.
A very heavy, geometric sans with rounded-rectangle and superellipse construction throughout. Curves are broad and smooth, corners are softened, and terminals read as cleanly cut rather than tapered. Counters are relatively tight and the overall color is dense, with minimal modulation and an even stroke rhythm. Uppercase forms are compact and sturdy, while the lowercase keeps a single-storey a and g and maintains consistent, simplified shaping. Numerals follow the same chunky, rounded geometry for strong uniformity in display settings.
Best suited to headlines and short-to-medium display copy where its dense weight and rounded geometry can carry impact. It works well for branding, packaging, and signage that benefits from a friendly but forceful presence, and for editorial feature titles where a compact, modern sans is desired.
The tone is assertive and upbeat, combining a solid, no-nonsense weight with approachable rounded forms. It feels contemporary and energetic, with a slightly playful friendliness that keeps the heaviness from becoming harsh. The overall impression is bold branding-forward confidence.
The design appears intended to deliver maximum visual impact with a cohesive superelliptical shape language, prioritizing strong silhouettes and a smooth, contemporary feel. Its simplified forms and rounded corners suggest a focus on approachable display typography for modern commercial and promotional contexts.
Spacing appears designed to keep words cohesive at large sizes, with broad joins and short apertures that emphasize mass and silhouette. The punctuation and dots (e.g., i/j) read as distinctly circular, reinforcing the rounded geometric theme.