Sans Other Sebo 2 is a regular weight, narrow, monoline, upright, normal x-height font.
Keywords: headlines, posters, branding, signage, interface, tech, modular, industrial, retro, tech styling, modular design, display impact, systematic geometry, angular, rectilinear, condensed, geometric, boxy.
A sharply rectilinear, monoline sans built from straight strokes and right angles, with occasional diagonal cuts and notched joins. Counters tend toward squared and rectangular forms, and curves are largely replaced by faceted geometry, giving many letters a constructed, almost schematic feel. Proportions are compact and generally condensed, with a tight rhythm and minimal stroke contrast; terminals are blunt, often ending in flat or clipped corners. Numerals and capitals follow the same squared logic, producing an overall disciplined, grid-like texture in text.
Best suited to headlines and short text where its angular construction can be a feature—posters, album/film titles, brand marks, event graphics, and tech-leaning packaging. It can also work for signage or UI elements when a geometric, engineered voice is desired and sizes are kept comfortably large for clarity.
The face reads as technical and engineered, with a retro-digital, utilitarian tone. Its modular geometry suggests machinery, signage systems, and early computer or sci‑fi interfaces, projecting a cool, industrial confidence rather than warmth or informality.
The design appears intended to translate a modular, grid-driven construction into a readable sans, prioritizing a distinctive rectilinear personality over neutral text conventionality. It aims to evoke technical systems and retro-futurist aesthetics while maintaining consistent stroke weight and a clean, disciplined rhythm.
Distinctive forms like the angular, peaked diagonals in V/W/Y and the squared bowls in letters such as O/Q reinforce the font’s constructed aesthetic. The sharp corners and narrow apertures can create a high-contrast texture in continuous reading, especially at smaller sizes, while larger sizes emphasize the stylized, display-like character.