Print Furew 2 is a very bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Corsica' by AVP; 'Bindle' by Elemeno; 'Ebisu', 'Hiruko', 'Nanami', 'Nanami Handmade', 'Nanami Pro', and 'Nanami Rounded' by HyperFluro; and 'URW Geometric' by URW Type Foundry (names referenced only for comparison).
Keywords: posters, headlines, packaging, stickers, kids brands, playful, rugged, handmade, quirky, friendly, impact, handmade texture, informality, attention-grabbing, rough-edged, chunky, blunt, stenciled, weathered.
A heavy, chunky display face with rounded counters and largely monolinear strokes, softened by irregular, torn-looking edges. Letterforms are built from simple geometric masses (notably circular bowls in O/o and b/p) with slightly uneven terminals and occasional notches that create a distressed, hand-cut effect. Proportions are compact with sturdy stems, open apertures, and straightforward construction that favors bold silhouettes over fine detail; lowercase forms are simple and legible with a single-storey a and g.
Best suited for short, high-impact settings such as posters, headlines, packaging, labels, stickers, and bold social graphics where the rugged texture can be appreciated. It also works well for playful branding and event titles, especially when paired with a cleaner sans for supporting text.
The overall tone is playful and informal, with a gritty, tactile texture that feels handmade rather than polished. Its rough perimeter and blunt shapes give it a cheeky, poster-like energy—friendly but a bit wild, like cut paper or worn rubber-stamp lettering.
The design appears intended to deliver maximum visual punch with a hand-drawn, distressed finish—combining simple, readable shapes with a deliberately rough edge to evoke cut-out or worn print textures. It prioritizes character and texture over refinement, making it ideal for expressive display typography.
The distressed contouring is consistent across uppercase, lowercase, and numerals, so the texture reads as an intentional surface treatment rather than random noise. Round characters (O, Q, 0, 8, 9) carry the style especially well, while diagonals (V, W, X, Y, 4, 7) emphasize the torn-edge effect on joins and endpoints.