Sans Superellipse Perat 2 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Helsinki' by Ludwig Type, 'Arial' and 'Helvetica Now' by Monotype, 'Europa Grotesk No. 2 SH' by Scangraphic Digital Type Collection, and 'Nimbus Sans Novus' by URW Type Foundry (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, bold, friendly, modern, confident, playful, impact, approachability, modernization, simplicity, clarity, rounded corners, soft terminals, compact, blocky, high impact.
A heavy, rounded sans with a squared-off, superellipse construction that keeps counters and outer curves broad and stable. Strokes are monoline and dense, with softened corners and generally flat, sturdy terminals that produce a compact, poster-like rhythm. Uppercase forms feel wide-shouldered and simplified, while the lowercase keeps single-storey shapes (notably a and g) for a more informal texture. Numerals are similarly chunky and open, designed to hold their shape at large sizes with strong silhouette clarity.
This style is well-suited to headlines, posters, and display typography where impact and legibility come from mass and clean shapes. It can work effectively for branding and packaging that wants a friendly, robust voice, and for signage or short UI labels where a strong, compact silhouette helps maintain clarity.
The overall tone is upbeat and approachable while still feeling assertive and headline-ready. Its rounded-rectangle geometry gives it a contemporary, slightly retro-industrial character—friendly rather than clinical, and confident rather than delicate.
The font appears intended as a high-impact display sans that balances bold presence with approachable rounding. Its superellipse-based geometry and simplified forms suggest a goal of creating a cohesive, modern look that reads quickly and holds up well in large-format or attention-grabbing settings.
The design leans on clear, easily recognized silhouettes with minimal interior detailing, favoring visual consistency over calligraphic nuance. Round letters like O/C/G show a squarish curve profile, and many joins and corners are noticeably softened, reinforcing the font’s sturdy, cushioned feel.