Sans Superellipse Eskam 6 is a regular weight, normal width, low contrast, italic, normal x-height font visually similar to 'Innova' by Durotype, 'Eurostile Next' and 'Eurostile Next Paneuropean' by Linotype, 'Neue Alter' by OzType., 'RF Dewi' by Russian Fonts, and 'Biwa' by Wordshape (names referenced only for comparison).
Keywords: branding, sportswear, headlines, ui labels, packaging, modern, technical, sporty, confident, clean, dynamic tone, geometric clarity, softened tech, brand impact, rounded corners, oblique slant, geometric, compact, wide apertures.
A slanted sans with a geometric, superellipse-driven skeleton: bowls and counters read as rounded rectangles, and joins resolve into smooth, radiused corners rather than sharp terminals. Strokes are even and steady, with a compact, slightly squared rhythm in round letters and a consistent forward lean across capitals and lowercase. Forms stay simple and constructed—single-storey “a” and “g,” open apertures, and sturdy diagonals—creating a crisp, contemporary texture. Numerals follow the same softened-rectangle logic, with clear, blocky shapes that remain legible at a glance.
Well-suited to branding and headline work where a sense of motion and modernity is desirable, especially in sports, tech, and product identities. The clear, open shapes and sturdy numerals also make it effective for UI labels, dashboards, and short informational text where quick recognition matters.
The overall tone is modern and purposeful, combining a streamlined, engineered feel with a friendly softness from the rounded geometry. Its forward slant adds motion and urgency, suggesting speed, progress, and performance while staying clean and controlled.
Likely designed to merge a contemporary geometric sans structure with a soft, superellipse-based rounding system, then energize it with a consistent oblique stance. The goal appears to be a balance of efficiency and approachability—clean signage-like clarity with a dynamic, performance-oriented voice.
The design’s identity comes from the repeated use of rounded corners and squarish curves, which creates a uniform visual system across letters and figures. The italic angle feels integral to the construction rather than a simple shear, keeping internal spaces stable and readable.