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Free for Commercial Use

Serif Other Amra 2 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'Innovate' and 'Innovate P Rounded' by NicolassFonts and 'Lintel', 'Monsal Gothic', and 'NuOrder' by The Northern Block (names referenced only for comparison).

Keywords: headlines, posters, packaging, branding, children’s, playful, friendly, retro, chunky, bouncy, approachability, display impact, retro charm, handmade feel, rounded, bracketed, swashy, informal, soft.


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A heavy, right-leaning serif with soft, rounded contours and gently bracketed terminals that read as small, sculpted serifs rather than sharp slabs. Strokes are broadly uniform with only subtle modulation, and the joins are bulbous and slightly calligraphic, giving letters a cushioned, hand-shaped feel. Counters are compact and often asymmetrical, with lively curves in forms like S, G, and a, and a single-storey a and g reinforcing the informal construction. The rhythm is irregular in a deliberate way—widths and internal spaces vary noticeably across glyphs—creating a buoyant texture in words and lines.

This font is best suited to short to medium-length display settings such as headlines, posters, logos, packaging, and cheerful branding. It can work well for playful editorial callouts or children’s-oriented materials where boldness and personality are more important than long-form readability.

The overall tone is upbeat and approachable, with a retro display energy that feels more handcrafted than mechanical. Its italic slant and rounded finishing details add a sense of motion and warmth, making it feel conversational and fun rather than formal or technical.

The design appears intended to combine a traditional serif foundation with a friendly, exaggerated, hand-modeled italic character, prioritizing charm and impact. Its softened serifs, variable letter widths, and buoyant curves suggest a decorative display face meant to stand out and feel inviting.

Uppercase shapes are compact and weighty, with softened corners that prevent the heavy weight from feeling rigid. Numerals follow the same rounded, slightly quirky logic, with distinctive curves and a sturdy baseline presence that suits attention-grabbing settings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸