Cursive Sinup 2 is a bold, normal width, very high contrast, italic, short x-height font.
Keywords: branding, packaging, posters, social media, invitations, playful, friendly, whimsical, casual, retro, handmade feel, cheerful tone, expressive display, brand personality, looping, bouncy, brushy, rounded, lively.
A lively script with a brush-pen feel, built from rounded forms and pronounced swelling-and-tapering strokes. Letter shapes lean forward and show variable character widths, with occasional partial connections and flowing exit strokes that help words read as a continuous rhythm. Counters are generally open and circular, terminals are soft and rounded, and many glyphs include generous loops (notably in capitals and descenders), giving the texture a bouncy, hand-drawn regularity. Numerals follow the same curvy, looped logic with smooth stroke modulation and friendly silhouettes.
Well-suited to logos and small-word marks, playful brand identities, packaging, and headline or poster work where its loops and stroke contrast can shine. It also fits greeting cards, invitations, and social graphics that benefit from a warm, handwritten voice; for longer passages, larger sizes and generous leading help maintain clarity.
The overall tone is upbeat and personable, with a handcrafted charm that feels informal and inviting. Its looping gestures and buoyant rhythm add a lighthearted, slightly nostalgic flavor suited to cheerful messaging rather than strict formality.
The design appears intended to emulate confident brush lettering with consistent, repeatable forms—capturing the spontaneity of handwriting while remaining cohesive across the alphabet and numerals. Its emphasis on rounded loops, flowing strokes, and expressive capitals suggests a focus on charm and personality in display-oriented settings.
Capital letters are especially expressive, featuring larger loop structures and sweeping strokes that can become prominent in headlines. The strong stroke modulation and curvy joins create a textured, animated line of text, so spacing and line breaks benefit from a bit of breathing room to keep the forms from feeling crowded.