Sans Superellipse Nesu 2 is a very bold, normal width, high contrast, upright, tall x-height font.
Keywords: posters, logotypes, headlines, packaging, gaming ui, industrial, futuristic, techno, bold, playful, impact, branding, tech feel, constructed look, display legibility, geometric, rounded corners, stencil-like, vertical cuts, blocky.
A heavy, geometric sans built from rounded-rectangle forms with soft corners and strongly simplified construction. Many letters are drawn as chunky blocks with narrow internal openings and distinctive vertical cut-ins that read as stencil-like slits, producing crisp light channels within dense black shapes. Curves are minimized and squarish counters dominate, while joins and terminals stay smooth and radiused rather than sharp. Overall spacing feels compact and the texture is dark and emphatic, with a consistent modular rhythm across capitals, lowercase, and numerals.
Best suited to short, high-impact text such as posters, headlines, brand marks, and packaging where its dense, rounded-block structure can dominate the page. It also fits techno or industrial-themed visuals, including gaming or entertainment graphics and UI headings, where the stencil-like cutouts add personality without relying on ornament.
The font projects a machine-made, industrial tone with a futuristic, display-first attitude. Its dense silhouettes and cutout details create a techno/stencil flavor that can feel both assertive and slightly game-like, especially at larger sizes. The rounded corners soften the aggression, giving it a controlled, designed-for-interfaces character rather than a purely brutalist one.
The design appears intended to deliver maximum presence through compact, rounded-rect geometry and a recognizable cutout signature. It prioritizes bold word shapes and a constructed, modular look that remains consistent across the alphabet, making it effective for distinctive display typography.
The internal slit motifs vary by glyph, adding a custom, constructed feel and subtle movement across words. Because counters are tight and strokes are massive, fine details can merge at small sizes, while large sizes emphasize the distinctive cut-ins and rounded-rect geometry.