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Free for Commercial Use

Sans Rounded Utba 1 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'Potomac' by Context, 'Grupi Sans' by Dikas Studio, 'Brightly Stories' by Graphicxell, 'Clintone' by Jinan Studio, 'MVB Diazo' by MVB, 'Brainy Variable Sans' by Maculinc, and 'Artico' by cretype (names referenced only for comparison).

Keywords: headlines, branding, packaging, posters, kids content, playful, friendly, bubbly, cheerful, casual, friendliness, playfulness, high impact, approachability, simplicity, soft, chunky, rounded, cartoonish, compact.


Free for commercial use
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A heavy, rounded sans with smooth, pillow-like curves and consistently thick strokes that stay largely even across the alphabet. Corners are broadly radiused, terminals are fully softened, and counters are compact, giving letters a dense, solid silhouette. The lowercase shows single-storey forms (notably a and g) and short, sturdy ascenders/descenders that keep lines of text visually tight. Numerals match the same inflated geometry, with simplified shapes and rounded joins that prioritize bold clarity over fine detail.

Best suited to display use such as headlines, logos, packaging, posters, and social graphics where a bold, friendly voice is needed. It can work for short UI labels or signage when set large enough to keep the compact counters open and readable.

The overall tone is warm, approachable, and slightly comic, with an upbeat presence that feels designed to be inviting rather than formal. Its chunky, rounded forms read as friendly and energetic, lending a lighthearted personality to headlines and short statements.

The font appears intended to deliver maximum friendliness and visual impact through rounded geometry and dense, high-contrast silhouettes. Its simplified, soft-ended forms suggest a focus on approachability and playful branding rather than editorial nuance.

The design emphasizes mass and smoothness: bowls, shoulders, and diagonals are thickened and softened, and interior spaces are intentionally small, which increases impact but can reduce differentiation at smaller sizes. The rhythm is steady and cohesive across glyphs, producing a uniform, poster-like texture in paragraphs and a strong, graphic footprint in display settings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸