Slab Unbracketed Ryri 3 is a regular weight, very wide, medium contrast, upright, normal x-height font.
Keywords: posters, headlines, book covers, editorial, branding, typewriter, offbeat, vintage, craft, quirky, display impact, vintage voice, handmade feel, typewriter echo, slab serifs, angular, choppy, irregular, hand-cut.
A wide, upright slab-serif with unbracketed serifs and a slightly irregular, hand-cut construction. Strokes show modest contrast with crisp terminals and square-ended slabs that read strongly at display sizes. Many curves are faceted into angled segments, giving bowls and rounds a polygonal feel (notably in forms like O, C, and S), and the overall rhythm is intentionally uneven—some joins and horizontals feel subtly kinked or stepped rather than perfectly smooth. Letter widths vary noticeably, producing a lively, non-mechanical texture in words while maintaining consistent baseline and cap-height behavior.
Best suited to display typography where its faceted curves and strong slabs can be appreciated—posters, headlines, book covers, packaging, and distinctive brand wordmarks. It can also work for short editorial pulls or titling where a vintage, typewriter-adjacent voice is desired, but its lively irregularities make it less ideal for long-form text at small sizes.
The tone mixes typewriter familiarity with a quirky, handmade edge. Its angular round shapes and assertive slabs suggest vintage printing, pulp editorial, or DIY signage—confident and slightly mischievous rather than refined or corporate.
This design appears intended to reinterpret a slab-serif/typewriter tradition through an intentionally angular, handmade drawing style. The goal seems to be strong impact and personality—keeping familiar slab-serif structure while introducing choppy curves and uneven rhythm to feel crafted and unconventional.
Counters are generally open and the slabs stay prominent even in smaller details, which boosts character but can add visual noise in dense settings. The numerals follow the same faceted logic and feel robust and poster-ready, while the overall spacing reads roomy due to the broad letterforms.