Font Hero

Free for Commercial Use

Sans Faceted Egna 3 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'Ramsey' by Associated Typographics, 'Mako' by Deltatype, 'Diamante EF' by Elsner+Flake, 'Refinery' by Kimmy Design, 'Diamante Serial' by SoftMaker, 'TS Diamante' by TypeShop Collection, and 'Ddt' by Typodermic (names referenced only for comparison).

Keywords: sports branding, team apparel, posters, headlines, gaming titles, athletic, industrial, aggressive, dynamic, tactical, impact, speed, toughness, modern edge, headline focus, blocky, angled, faceted, compact, sturdy.


Free for commercial use
Customize the font name

A heavy, forward-leaning display sans built from sharp, planar facets rather than smooth curves. Strokes are thick and uniform, with clipped corners and chamfered terminals that create an octagonal, machined feel across bowls and diagonals. The letterforms are compact with tight interior counters, strong verticals, and energetic slant, producing a dense, high-impact texture in words and headlines. Numerals and capitals follow the same faceted geometry, keeping silhouettes bold and emphatic at a glance.

This font is well suited to sports identities, team marks, and athletic apparel where a strong, slanted headline style is needed. It also works effectively for posters, event promotions, gaming or action-themed titles, and bold packaging or signage that benefits from an angular, industrial presence.

The overall tone is forceful and sporty, with a rugged, engineered attitude. Its sharp angles and compressed counters suggest speed, strength, and a no-nonsense, competitive voice suited to high-energy messaging.

The design appears intended as a high-impact italic display face that translates the language of stenciled, cut-metal, or beveled lettering into a consistent geometric system. By replacing curves with facets and keeping stroke weight robust, it prioritizes punchy silhouettes and fast recognition in short, emphatic text.

The angled cuts are applied consistently across curved letters (like O, C, and S), turning them into polygonal forms and reinforcing a cohesive, hard-edged rhythm. In longer lines the bold massing reads best with generous spacing and ample size, where the distinctive facets remain clear rather than closing up.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸