Sans Other Jika 9 is a regular weight, very wide, monoline, upright, tall x-height font.
Keywords: posters, headlines, branding, gaming, ui labels, futuristic, technical, sci‑fi, industrial, geometric, sci‑fi branding, interface aesthetic, display impact, mechanical tone, angular, modular, cornered, stencil-like, high contrast forms.
A wide, monoline sans built from modular, angular strokes with squared corners and frequent open joints. Curves are largely substituted with chamfered or faceted segments, producing octagonal bowls and clipped terminals. Many glyphs show intentional breaks or notches (especially in C/E/F/S and several lowercase forms), giving a semi-stencil construction and a distinctly segmented rhythm. The lowercase is tall with compact counters and simplified shapes, while the overall spacing feels engineered and grid-aware, emphasizing horizontal reach and sharp internal angles.
Best suited to display contexts where its angular construction and wide stance can be appreciated—posters, logos, packaging, esports/gaming graphics, and tech-forward branding. It also works well for short UI labels or interface-style callouts at larger sizes, while dense body text may feel busy due to the segmented joins and unconventional letterforms.
The design reads as futuristic and technical, evoking interfaces, machinery markings, and sci‑fi titling. Its chopped curves and deliberate gaps add an industrial, coded tone that feels assertive and synthetic rather than friendly or conversational.
The font appears designed to deliver a distinctive, engineered sans look that signals technology and futurism through modular geometry, clipped curves, and stencil-like interruptions. The goal seems to be a strong visual voice for titles and marks rather than an invisible text face.
Distinctive one-stroke diagonals and V-shaped joins appear in letters like K, M, N, and W, reinforcing a constructed, mechanical aesthetic. Round characters such as O and 0 become angular frames, and several forms lean toward stylized legibility where shape language is prioritized over traditional silhouettes.