Distressed Pumez 14 is a bold, normal width, high contrast, italic, normal x-height font.
Keywords: posters, album covers, event flyers, horror titles, action titles, raw, gritty, energetic, edgy, handmade, add texture, signal intensity, create grit, handmade feel, dramatic impact, brushy, ragged, torn, inked, expressive.
A slanted, brush-driven display face with heavy, high-contrast strokes and aggressively irregular contours. Letterforms show frayed terminals, torn-looking edges, and dry-brush texture that creates small gaps and spikes along the outlines. Counters are often partially filled or uneven, and stroke joins feel gestural rather than geometric, giving the set a lively, hand-painted rhythm. Proportions and advance widths vary noticeably, while the overall silhouette stays compact and punchy for strong word shapes.
Best suited to short, high-impact settings such as posters, album or game cover typography, trailer cards, event flyers, and branded headlines that want a rough, handmade punch. It also works well for thematic packaging accents and social graphics where texture is part of the message; for readability, keep it at larger sizes and avoid dense paragraphs.
The font conveys a rough, urgent tone—like quick signage paint, gritty poster lettering, or ink dragged across textured paper. Its scratchy edges and angular energy suggest intensity and attitude, leaning toward rebellious, dramatic, and street-level aesthetics rather than polished refinement.
The design appears intended to simulate fast, forceful brush lettering with deliberate wear and breakup, prioritizing expressive texture and dramatic silhouettes over smooth regularity. Its consistent slant and repeated fraying motifs suggest a controlled distressed system built for attention-grabbing display typography.
Rounded letters (like O/Q) read as thick, imperfect loops with visibly distressed interiors, while verticals and diagonals often end in sharp, flicked tips. Numerals carry the same brushwear and slant, keeping consistency across alphanumerics. In longer text, the texture becomes a prominent visual layer, so spacing and line breaks benefit from generous breathing room.