Serif Other Suna 2 is a regular weight, normal width, low contrast, upright, normal x-height font.
Keywords: editorial, book text, headlines, branding, invitations, classic, bookish, formal, academic, text usability, classic tone, distinctive details, editorial voice, bracketed serifs, ball terminals, oldstyle figures, angled stress, calligraphic.
This serif face shows sturdy, bracketed serifs and a moderate, low-contrast stroke that stays even across the alphabet. Curves exhibit an angled, slightly calligraphic stress, giving bowls and rounds a gently organic feel rather than a purely geometric one. The capitals are stately and open, while the lowercase keeps a traditional rhythm with clear ascenders/descenders and softly tapered joins. Details like the ball terminals and the distinctive Q and O treatments add a decorative accent without disrupting overall readability.
It performs well for editorial layouts, book typography, and long-form reading where a traditional serif texture is desired. The distinctive terminals and round-letter details also make it suitable for headlines, packaging, and branding that want a classic foundation with a small decorative twist. It can work effectively for invitations and formal materials where a conservative yet characterful serif is appropriate.
The overall tone reads literary and traditional, with an air of formality suited to classic typography. Subtle ornamental touches introduce a mildly antiquarian, storybook character, suggesting heritage printing and editorial refinement rather than overt display theatrics.
The design appears intended to deliver a dependable, traditional serif for reading and publishing, while adding a handful of bespoke, decorative gestures to differentiate it from more neutral book faces. The result balances conventional proportions with signature details that help it stand out in titles and identity work.
Numerals appear oldstyle (with varying heights and extenders), reinforcing a text-oriented, book typographic sensibility. The italic is not shown; all samples appear in an upright roman style. The letterforms maintain consistent weight and spacing, while a few signature glyph details (notably in round letters) give the design a recognizable voice.