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Free for Commercial Use

Stencil Tiko 5 is a very bold, very wide, medium contrast, upright, normal x-height font visually similar to 'FP København' and 'FP København Sans' by Fontpartners (names referenced only for comparison).

Keywords: posters, headlines, logos, signage, packaging, industrial, rugged, playful, retro, bold, impact, stencil motif, industrial feel, display clarity, graphic texture, slablike, blocky, notched, softened, chunky.


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A heavy, block-built display face with slablike terminals and rounded outer corners, giving the silhouettes a sturdy, slightly softened feel. Stencil breaks appear as deliberate notches and bridges through bowls and strokes, producing clear internal cutouts across both uppercase and lowercase. Curves are broad and simplified, counters are compact, and joins stay blunt rather than sharp, creating an even, chunky texture in words. Numerals follow the same cut-and-bridge logic, with clear, high-impact forms designed to hold up at large sizes.

Best suited to short, high-impact settings such as posters, headlines, event graphics, brand marks, and bold packaging panels. It also works well for signage or wayfinding where an industrial stencil flavor is desired and the repeated cutouts can become part of the visual identity.

The tone is industrial and utilitarian, like painted markings or cut metal lettering, but with a friendly, cartoonish heft that keeps it from feeling severe. The stencil interruptions add a rugged, workshop/gear aesthetic while the wide proportions and rounded corners give it an approachable, poster-ready energy.

The likely intention is to deliver a loud, attention-grabbing stencil display with a cohesive system of bridges that reads as purposeful construction rather than distress. It appears designed to evoke fabricated or marked lettering while remaining clean, consistent, and legible in large-scale typography.

Spacing and rhythm read as display-oriented: the dark mass is dominant, and the stencil gaps become a repeating visual motif that can create strong patterns in headlines. The design favors simple geometry and consistent stroke weight, which helps maintain clarity even with the aggressive ink coverage.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸