Script Nana 10 is a regular weight, narrow, very high contrast, italic, short x-height font.
Keywords: wedding, invitations, branding, packaging, headlines, elegant, romantic, refined, formal, classic, formal elegance, calligraphic feel, luxury tone, celebratory voice, calligraphic, looping, flourished, slanted, swashy.
This font is a formal script with a pronounced rightward slant and crisp, calligraphic modulation. Strokes shift between hairline thins and robust shaded downstrokes, creating a glossy, pen-nib look with tapered terminals. Letterforms are compact and tall in proportion, with a relatively small x-height and prominent ascenders/descenders; curves are smooth and elastic, and many capitals feature restrained swashes and entry/exit flicks. Overall rhythm is flowing and continuous, with occasional breaks where stroke joins tighten into narrow counters and sharp joins.
It performs best in short to medium settings where its contrast and flourishes can breathe—wedding suites, event stationery, beauty/fashion branding, product labels, and editorial-style headlines. It can also work for pull quotes or signature-style lockups when spacing is generous and sizes are large enough to preserve delicate hairlines.
The tone is polished and expressive, suggesting traditional hand-lettering used for ceremonial or romantic messaging. Its high drama comes from the strong contrast and looping movement, giving text a dressed-up, boutique feel that reads as classic and graceful rather than casual.
The design appears intended to emulate formal pointed-pen or engraved script conventions in a cleaner, more typographic form. It aims to deliver a luxurious, celebratory voice with legible connected forms while preserving the drama of shaded strokes and ornamental capitals.
Capitals provide much of the personality through varied stroke starts, interior loops, and extended lead-in/lead-out strokes that can create distinctive silhouettes in headings. Numerals follow the same calligraphic logic, with slender hairlines and shaded curves, and punctuation appears light and understated relative to the main strokes.