Sans Superellipse Telut 10 is a regular weight, normal width, low contrast, upright, normal x-height font.
Keywords: packaging, posters, headlines, branding, signage, handmade, rustic, quirky, retro, friendly, handcrafted feel, print texture, friendly display, retro charm, rounded, blunt, chunky, worn, uneven.
A rounded, sansy design with blunt terminals and softly squared curves, giving many bowls a superellipse-like, rounded-rectangle feel. Strokes stay fairly even, but edges look intentionally roughened, as if stamped or brushed, creating slight waviness and small nicks along verticals and curves. Counters are open and generally generous, and the rhythm feels lively due to subtle inconsistencies between glyphs and a slightly irregular baseline/sidebearing feel in running text. Numerals and capitals follow the same simplified, chunky construction, with a few compact joins and angled strokes that read as hand-cut rather than mechanically perfect.
Best suited to display contexts such as packaging, posters, café/retail signage, and brand marks that want an artisanal or hand-rendered voice. It can work for short bursts of copy (taglines, pull quotes), but the textured stroke edges and lively spacing are more impactful—and more legible—at medium to large sizes than in dense body text.
The overall tone is casual and tactile, with a handmade warmth that leans nostalgic and a bit offbeat. Its imperfect edges and rounded geometry make it feel approachable and playful rather than clinical, lending a gently rugged, craft-driven personality.
The design appears intended to merge simple rounded sans construction with a deliberately imperfect, inked texture, aiming for a crafted look without becoming script-like. It prioritizes character and tactile presence while keeping the underlying shapes straightforward and readable.
In longer text the texture becomes a defining feature: the repeated rough edges create a speckled, print-like color that suggests stamping or screen-printed ink. The letterforms remain clear, but the intentional irregularity draws attention and is most effective at display sizes where the surface character can be appreciated.