Sans Superellipse Myky 11 is a very bold, narrow, medium contrast, italic, normal x-height font visually similar to 'Pocky Block' by Arterfak Project, 'Entuista' by Azzam Ridhamalik, 'Acton' by Device, 'Gf Special' by Gigofonts, 'Odradeck' by Harvester Type, 'JHC Genetic' by Jehoo Creative, 'Bezamin Harison' by Muksal Creatives, 'Fixture' by Sudtipos, and 'Motte' by TypeClassHeroes (names referenced only for comparison).
Keywords: posters, sports branding, packaging, headlines, logos, sporty, aggressive, retro, industrial, high-impact, impact, speed, compression, display, slanted, condensed, blocky, rounded corners, tight apertures.
A compact, forward-slanted display sans with chunky, rounded-rectangle construction and tightly controlled counters. Strokes are heavy and mostly uniform, with subtly softened corners that keep the forms from feeling brittle. Many letters use narrow interior cuts and notches, creating a compressed, engineered rhythm and a slightly modular feel. Numerals and capitals maintain a consistent, upright structure despite the strong slant, producing a dense, fast-looking texture in lines of text.
Well-suited to posters, event graphics, sports or motorsport-themed branding, and packaging that needs a bold, compact headline voice. It can also work for logo lockups and short taglines where the slanted, blocky forms provide instant impact and a sense of motion.
The overall tone is fast, forceful, and competitive—suggesting speed, toughness, and momentum. Its compressed, cut-in details lean toward a utilitarian, machine-made attitude with a retro sports and action-title energy.
The design appears aimed at delivering maximum visual punch in a tight width, combining rounded-rectangle geometry with aggressive internal cutouts to suggest speed and mechanical precision. It prioritizes display clarity and a strong graphic texture over neutral text readability.
The font reads best when set large: the interior slits and tight counters can visually close at smaller sizes, while larger settings emphasize the distinctive cut shapes and the forward drive of the italic stance. The silhouette stays stable across the alphabet, giving headlines a cohesive, poster-like block of black.